MARMARA ÜNİVERSİTESİ PENDİK EĞİTİM VE ARAŞTIRMA HASTANESİ

The two-storey building opposite the Archaeological Museum is the first building built by Mehmet the Conqueror in Topkapı Palace. The summer mansion, dated 1472, is an early Ottoman example with Seljuk influence, with its facade enlivened with columns, iwan terrace and cut tile decoration. There is a long inscription on the entrance wall. The entrance section is a domed space, and there are vaulted rooms on the sides. Ceramics and tiles from the 13th-19th centuries Seljuk and Ottoman periods are exhibited in chronological order. 16th century Iznik tiles are important works of the museum. The mansion, built by Fatih Sultan Mehmet in 1472, is one of the oldest examples of Ottoman civil architecture in Istanbul. It was used as Museum-i Hümayun (Imperial Museum) between 1875 and 1891. It was opened to visitors in 1953 under the name of Fatih Museum, where Turkish and Islamic works were exhibited, and was transferred to Istanbul Archaeological Museums in 1981 due to its location.

The entrance of the mansion is single-storey, while the rear side is two-storey. There is a marble portico with 14 columns at the entrance. The entrance iwan is decorated with mosaic tiles. Various tiles and ceramics from the Seljuk and Ottoman Periods are exhibited in the mansion, which consists of 6 rooms and a central hall. There are approximately 2000 works in the museum and warehouses. There are around 2 thousand works from the Seljuk and Ottoman periods, dating back to the 11th-early 20th centuries, in the Tiled Kiosk Museum collections. The Museum's collections consist of works that existed when it was affiliated with the Istanbul Archaeological Museums Directorate in 1981 due to its proximity to the museum, and works found during archaeological excavations, acquired through purchase, donation and confiscation. Tiles and ceramics selected from these collections; There are Seljuk Period works in the room to the left of the entrance, Slip technique and Miletus work in the iwan on the left side opening to the outside, Iznik work in the five-cornered room with the middle hall, Kütahya work in the right corner room overlooking Gülhane Park, and Çanakkale work in the right iwan opening to the outside. It is exhibited in a layout starting from the left.